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- Collection
- Released 1984
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- Vienna
- Released 1980
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- The Voice: The Best of Ultravox
- Released 1997
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- Rage in Eden
- Released 1981
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biography
Rejecting the abrasive guitars of their punk-era contemporaries in favor of lushly romantic synthesizers, Ultravox emerged as one of the primary influences on the British electro-pop movement of the early '80s. Formed in London in 1974, the group -- originally dubbed Ultravox! -- was led by vocalist and keyboardist John Foxx (born Dennis Leigh), whose interest in synths and cutting-edge technology began during his school years. With an initial lineup consisting of bassist Chris Cross, keyboardist/violinist Billy Currie, guitarist Steve Shears, and drummer Warren Cann, their obvious affection for the glam rock sound of David Bowie and Roxy Music brought them little respect from audiences caught up in the growing fervor of punk, but in 1977 Island Records signed the quintet anyway, with Brian Eno agreeing to produce the band's self-titled debut LP.
After scoring a minor U.K. hit with the single "My Sex," Ultravox returned later that year with Ha! Ha! Ha!; sales were minimal, however, and Shears soon exited, replaced by guitarist Robin Simon. A third LP, 1978's Systems of Romance, was recorded in Germany with renowned producer Conrad Plank, but it too failed commercially. Island soon dropped the band, at which time both Foxx and Simon quit, the former mounting a solo career and the latter joining Magazine. At that point the remaining members of Ultravox tapped singer/guitarist Midge Ure, an alumnus of Silk as well as Glen Matlock's Rich Kids; upon signing to Chrysalis, the new lineup recorded Vienna, scoring a surprise smash hit with the single "Sleepwalk," which reached the number two spot on the U.K. pop charts in 1981 and pushed the LP into the Top Five. The album's title track also fared well, peaking at number two on the charts and remaining there for several weeks.
After 1981's Rage in Eden, Ultravox teamed with legendary producer George Martin for 1983's Quartet; their most successful LP in the otherwise impenetrable American market, it launched the minor hit "Reap the Wild Wind." Upon completing 1984's Lament, Warren Cann left Ultravox to forge a solo career. The remaining members, after adding Big Country's Mark Brzezicki, resurfaced with U-Vox in 1986 before going their separate ways. Currie and Simon re-formed the band in 1993, adding vocalist Marcus O'Higgins; three years later, they released the lackluster Ingenuity with Sam Blue on lead vocals. The album marked the group's final studio release. ~ Jason Ankeny, All Music Guide
After scoring a minor U.K. hit with the single "My Sex," Ultravox returned later that year with Ha! Ha! Ha!; sales were minimal, however, and Shears soon exited, replaced by guitarist Robin Simon. A third LP, 1978's Systems of Romance, was recorded in Germany with renowned producer Conrad Plank, but it too failed commercially. Island soon dropped the band, at which time both Foxx and Simon quit, the former mounting a solo career and the latter joining Magazine. At that point the remaining members of Ultravox tapped singer/guitarist Midge Ure, an alumnus of Silk as well as Glen Matlock's Rich Kids; upon signing to Chrysalis, the new lineup recorded Vienna, scoring a surprise smash hit with the single "Sleepwalk," which reached the number two spot on the U.K. pop charts in 1981 and pushed the LP into the Top Five. The album's title track also fared well, peaking at number two on the charts and remaining there for several weeks.
After 1981's Rage in Eden, Ultravox teamed with legendary producer George Martin for 1983's Quartet; their most successful LP in the otherwise impenetrable American market, it launched the minor hit "Reap the Wild Wind." Upon completing 1984's Lament, Warren Cann left Ultravox to forge a solo career. The remaining members, after adding Big Country's Mark Brzezicki, resurfaced with U-Vox in 1986 before going their separate ways. Currie and Simon re-formed the band in 1993, adding vocalist Marcus O'Higgins; three years later, they released the lackluster Ingenuity with Sam Blue on lead vocals. The album marked the group's final studio release. ~ Jason Ankeny, All Music Guide
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The human in the machine
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- By SonicSplendor
- 10/7/2008 16:01:42
- On the surface, Ultravox can be heard as quintessential ‘80s synth pop. Listen past the vintage synthesizers and drum machines, however, and you’ll find a band whose music is as unique and timeless as it is powerful and complex. Its lock-step, synth-bass grooves are foundations for—and counterpoints to—impassioned singing and wild, heavily processed electric violin.
Led by the singer/guitarist Midge Ure in its core years (1980-85), Ultravox did more with a one-chord groove than any other pop band I can think of. Each song is a micro epic of primal human struggles: man against state, man against church, man against self. The relentless, hypnotic nature of the songs underscore these struggles while the band’s compositional and improvisational talents keep the music riveting and the melodies catchy. Essential listening! Especially Vienna (2008 Digital Remaster) (1980) and Rage In Eden (2008 Digital Remaster) (1981). - Be the first person to rate this comment!
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RATE MY COMMENT
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- By Emokitties
- 8/20/2008 16:26:59
- kick ass band i recomend it (= listen to it now!! HEHE<br/>keep music alive. support bands!
- 0 out of 1 people
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