Conventional wisdom dictates that
the Vaselines might have been relegated to footnote status were it not for
Nirvana's
Kurt Cobain, who regularly cited the little-known Scottish quartet's influence in interviews with the music press.
Cobain's gospel-spreading no doubt accelerated their rise to cult sainthood, but truth be told,
the Vaselines would have gotten there sooner or later on their own accord -- lewd but naïve and abrasive yet tender, the band's shambling, primitivist squall remains a perfect distillation of pop at its most guileless and euphoric. The group was formed in Edinburgh in 1987 by singers/guitarists
Eugene Kelly and
Frances McKee, who were later joined by
Kelly's brother
Charles on drums and
James Seenan on bass. Soon signing to
Pastels frontman
Stephen Pastel's newly formed 53rd and 3rd label,
the Vaselines embarked on their first-ever studio session, which yielded their debut single, 1987's fantastic "Son of a Gun." The follow-up, "Dying for It," appeared a year later, with the inclusion of viola player
Sophie Pragnell plainly acknowledging the band's debt to
the Velvet Underground. The demise of 53rd and 3rd proved fatal to
the Vaselines as well, however, and the group dissolved the same week its lone studio LP, 1989's Dum-Dum, was released via Rough Trade, although the following year the original lineup briefly reunited to open for
Nirvana in Edinburgh.
Nirvana would go on to cover
the Vaselines' "Molly's Lips" and "Son of a Gun" (both later compiled on their
Incesticide collection) as well as performing "Jesus Doesn't Want Me for a Sunbeam" on their now legendary MTV Unplugged appearance. Renewed interest in the band resulted in the 1992 Sub Pop release of
The Way of the Vaselines, an assemblage of all 19 of their official recordings.
Eugene Kelly later went on to front
Captain America (subsequently and rather unfortunately renamed
Eugenius), while
McKee spent the better part of the decade out of sight before finally resurfacing in
Suckle. ~ Jason Ankeny, All Music Guide