Early in their career, Buffalo natives
the Goo Goo Dolls were frequently dismissed by critics as mere imitators of
the Replacements; however, they refined and mainstreamed their sound enough to become one of the most popular adult alternative rock bands of the latter half of the '90s, selling millions of records to audiences largely unfamiliar with their inspirations. That's no knock on the band, either -- the music simply improved in craft and accessibility as the years progressed, and radio happened to be receptive to what a decade earlier would have been considered collegiate power pop. Thus, the band landed two huge hits with the acoustic ballads "Name" and "Iris."
The Goo Goo Dolls were formed in Buffalo, NY, in 1985 by guitarist/vocalist
Johnny Rzeznik, bassist
Robby Takac, and drummer
George Tutuska, initially under the name
the Sex Maggots (the new name was chosen from an ad in True Detective magazine at the behest of a local club owner). Originally a cover band with a taste for power pop and classic rock & roll, the group soon began writing its own songs. Their early sound recalled
the Replacements' origins as a bratty punk band (circa
Sorry Ma, Forgot to Take Out the Trash) -- melodic, snotty, and a little bit thrashy. That sound was the reason the band attracted the interest of the heavy metal label Metal Blade, which issued their debut album in 1987 (known either as
The Goo Goo Dolls or
First Release). Released in 1989,
Jed continued in a similar vein; the college radio breakthrough came with 1990's
Hold Me Up, a
Replacements-ish power pop record.
Released in 1993,
Superstar Car Wash was
the Goo Goo Dolls' artistic breakthrough; though it did nothing to quell the
Replacements comparisons, it was a finely crafted pop/rock record, and its lead single, "We Are the Normal," was co-written with
Replacements leader
Paul Westerberg himself. Still,
Superstar Car Wash wasn't the commercial force the band hoped it would be, especially in light of the success of similar bands like
the Gin Blossoms. That all changed with 1995's
A Boy Named Goo, when an L.A. rock station put the acoustic-driven ballad "Name" into heavy rotation. It was eventually released as a single nationwide, and went Top Five late in the year; platinum sales for the album followed close behind. Unfortunately, drummer
Tutuska was no longer around to enjoy the band's success; prior to the album's release, he'd been sacked and replaced by drummer
Mike Malinin.
Dissatisfied with the royalty rates in their Metal Blade contract, the band waged a legal battle that wound up allowing them to jump to parent company Warner Bros. Somewhat drained,
Rzeznik and the band shook off a case of writer's block to contribute the ballad "Iris" to the soundtrack of the 1998
Nicolas Cage/
Meg Ryan romance City of Angels. Appearing that April, the song was a monster smash, although it was never released as a single (so its official Top Ten pop chart status doesn't convey how popular it was); for a better indicator, "Iris" spent nearly a year on Billboard's airplay charts, including an astonishing 18 weeks at number one, and was nominated for three Grammys.
The band's next album,
Dizzy Up the Girl, was released in September, during the middle of "Iris"'s marathon airplay run, and sold over three million copies. Its clean, polished sound completed
the Goo Goo Dolls' transformation into mainstream pop/rockers who happened to have alternative roots. Further hits from the record followed over the next year, including "Slide," "Dizzy," and the Grammy-nominated "Black Balloon," and the trio toured heavily in support.
The Goo Goo Dolls revamped their sound for 2001's career retrospective,
Ego, Opinion, Art & Commerce. A year later, they hit the charts with "Here Is Gone" from their seventh studio album,
Gutterflower. The CD/DVD combo
Live in Buffalo: July 4, 2004 helped fans endure the long wait for the band's next studio album,
Let Love In, which didn't appear until 2006. ~ Steve Huey, All Music Guide