Harmonica player, lyricist and singer
Sugar Ray Norcia has been leading his band,
the Blue Tones, around New England since the late 1970s. The band began to break nationally in the late 1980s and early 1990s with the release of their debut for the Rounder/Varrick label,
Knockout. While leading his own band and touring on a regional basis around the New England states,
Norcia spent many years in apprenticeship as a sideman. This fact is evident on his recordings, as
Norcia's singing is deep and heartfelt and his harmonica playing that of a seasoned blues club veteran.
Norcia first began playing blues harmonica in high school in his native Rhode Island.
The Blue Tones were founded after
Norcia moved to Providence, and they became a house band at a small club there. They further developed their skills while backing up visiting musicians like
Walter "Shakey'' Horton,
Big Mama Thornton,
Joe Turner and
Roosevelt Sykes in nearby Boston-area clubs. Beginning in the late 1970s, the band worked exclusively with
Ronnie Earl as its lead guitarist until he left to play with
Roomful of Blues.
Norcia's music comes from an eclectic set of influences, and it probably shows most in his original tunes. He cites musicians like
Nat King Cole,
Joe Williams,
Muddy Waters and
Bobby "Blue" Bland as important, but equally important to him are country music stylists like
Ernest Tubb and
George Jones.
With his quiet, cheerful, unassuming personality,
Norcia is the kind of person people go to with their personal problems, and some of this (as well as his own life experience) provides fodder for his songs.
Norcia's recordings under his own name include the EPs
Sugar Ray and the Blue Tones for Baron Records in 1979; Ronnie Earl and the Broadcasters Featuring the Sensational Sugar Ray in 1982 for Leopard Records, as well as his two Rounder releases,
Knockout (1989) and
Don't Stand In My Way (1991). Both
Knockout and
Don't Stand In My Way are stylistically diverse records showcasing a range of harmonica styles as well as blues styles, including urban Chicago, Texas shuffles, Memphis soul and R&B, as in a cover of
Bobby Bland's "I'm Not Ashamed'' on their debut, and Boston-area big guitar blues.
The Blue Tones' Don't Stand In My Way served as the inaugural release for Rounder's then-new Bullseye Blues label.
The Blue Tones also accompany
Miki Honeycutt on her debut for the Rounder label,
Soul Deep.
In 1991
Sugar Ray joined the legendary jump blues-based
Roomful of Blues and became their lead vocalist. oomful released three successful records during
Norcia's tenure and toured incessantly.
Norcia also kept busy outside of the band: he can be heard on a Bullseye Blues release by trombonist
Porky Cohen,
Rhythm and Bones, (1996) and on the album
Little Anthony and Sugar Ray: Take It From Me, (1994), for the Tone-Cool subsidiary of Rounder.
Sugar Ray left
Roomful of Blues in 1998 and released Sweet & Swingin', an eclectic record that featured songs by
Hank Williams,
Arthur Alexander,
Big Walter Horton and an appearance by
the Jordanaires. 1999 found
Sugar Ray contributing to the Grammy-nominated album Superharps, a project that also included
James Cotton,
Billy Branch and
Charlie Musselwhite. Lately he has been keeping busy contributing harp on records by
Pinetop Perkins,
Doug James and others as well as touring with the Sugar Ray Norcia Big Band.~ Richard Skelly, All Music Guide