A brilliant player on both acoustic and electric basses,
Stanley Clarke has spent much of his career outside of jazz, although he has the ability to play jazz with the very best. He played accordion as a youth, switching to violin and cello before settling on bass. He worked with R&B and rock bands in high school, but after moving to New York, he worked with
Pharoah Sanders in the early '70s. Other early gigs were with
Gil Evans,
Mel Lewis,
Horace Silver,
Stan Getz,
Dexter Gordon, and
Art Blakey; everyone was impressed by his talents. However,
Clarke really hit the big time when he started teaming up with
Chick Corea in
Return to Forever. When the group became a rock-oriented fusion quartet,
Clarke mostly emphasized electric bass and became an influential force, preceding
Jaco Pastorius. But, starting with his
School Days album (1976), and continuing through his funk group with
George Duke (the Clarke/Duke Project), up to his projects writing movie scores,
Stanley Clarke largely moved beyond the jazz world into commercial music; his 1988 Portrait album
If This Bass Could Only Talk, and his 1995 collaboration with
Jean Luc Ponty and
Al DiMeola on the acoustic
The Rite of Strings, are two of his few jazz recordings since the '70s. ~ Scott Yanow, All Music Guide