A masterfully subtle drummer and a superb colorist,
Paul Motian is also an advanced improviser and a bandleader with a taste for challenging post-bop. Born
Stephen Paul Motian in Philadelphia on March 25, 1931, he grew up in Providence and began playing the drums at age 12, eventually touring New England in a swing band. He moved to New York in 1955 and played with numerous musicians -- including
Thelonious Monk,
Lennie Tristano,
Coleman Hawkins,
Tony Scott, and
George Russell -- before settling into a regular role as part of
Bill Evans' most famous trio (with bassist
Scott LaFaro), appearing on his classics
Sunday at the Village Vanguard and
Waltz for Debby.
In 1963,
Motian left
Evans' group to join up with
Paul Bley for a year or so, and began a long association with
Keith Jarrett in 1966, appearing with the pianist's American-based quartet through 1977. In addition,
Motian freelanced for artists like
Mose Allison,
Charles Lloyd,
Carla Bley, and
Charlie Haden's
Liberation Music Ensemble, and turned down the chance to be
John Coltrane's second drummer.
In 1972,
Motian recorded his first session as a leader,
Conception Vessel, for ECM; he followed in 1974 with
Tribute. He formed a regular working group in 1977 (which featured tenor
Joe Lovano) and recorded several more dates for ECM, then revamped the ensemble to include guitarist
Bill Frisell in 1980. Additional dates for ECM and Soul Note followed, and in 1988
Motian moved to JMT, where he recorded a long string of fine albums beginning with
Monk in Motian. During the '90s, he also led an ensemble called
the Electric Bebop Band, which featured
Joshua Redman. In 1998,
Motian signed on with the Winter & Winter label, where he began recording another steady stream of albums, including
2000 + One in 1999,
Europe in 2001, and
Holiday for Strings in 2002. In 2005
Motian moved to the ECM label, releasing
I Have the Room Above Her that same year, followed by
Garden of Eden in 2006 and
Time and Time Again in 2007. ~ Steve Huey, All Music Guide