Oscar Pettiford was (along with
Charles Mingus) the top bassist of the 1945-1960 period, and the successor to the late
Jimmy Blanton. In addition, he was the first major jazz soloist on the cello. A bop pioneer, it would have been very interesting to hear what
Pettiford would have done during the avant-garde '60s if he had not died unexpectedly in 1960. After starting on piano,
Pettiford switched to bass when he was 14 and played in a family band. He played with
Charlie Barnet's band in 1942 as one of two bassists (the other was
Chubby Jackson) and then hit the big time in 1943, participating on
Coleman Hawkins' famous "The Man I Love" session; he also recorded with
Earl Hines and
Ben Webster during this period.
Pettiford co-led an early bop group with
Dizzy Gillespie in 1944, and in 1945 went with
Coleman Hawkins to the West Coast, appearing on one song in the film The Crimson Canary with
Hawkins and Howard McGhee.
Pettiford was part of Duke Ellington's orchestra during much of 1945-1948 (fulfilling his role as the next step beyond
Jimmy Blanton), and worked with
Woody Herman in 1949. Throughout the 1950s, he mostly worked as a leader (on bass and occasional cello), although he appeared on many records both as a sideman and a leader, including with
Thelonious Monk in 1955-1956. After going to Europe in 1958, he settled in Copenhagen where he worked with local musicians, plus
Stan Getz,
Bud Powell, and
Kenny Clarke. Among
Pettiford's better-known compositions are "Tricotism," "Laverne Walk," "Bohemia After Dark," and "Swingin' Till the Girls Come Home." ~ Scott Yanow, All Music Guide