One-third of the pop/soul act
Labelle (their big hit was "Lady Marmalade"),
Nona Hendryx, by far and away, made the hippest solo records of any member of that group (the others being
Patti LaBelle and
Sarah Dash). After
Labelle called it quits in 1976,
Hendryx released her self-titled debut record, which was an amazingly strong amalgam of soul and hard rock. It also went almost completely ignored by critics, soul fans, and even
Labelle fans, and
Hendryx took her strong, clear, booming voice and did lots of session work in the late '70s and early '80s. It was here that she fell in with a hip crowd of musicians, specifically as a result of her time singing backup for
Talking Heads. This association with
David Byrne led to her working with
Bill Laswell, who, along with his band
Material, helped
Hendryx put together a second solo record entitled
Nona. A strong album that's not as wild-eyed as her debut,
Nona did spark greater interest in
Hendryx's considerable talents, and after that, her solo career flourished to the point where she no longer needed studio work to supplement her income. Although some of her late-'80s records sound a little formulaic,
Nona Hendryx is a dynamic, daring, and extremely talented performer, who, as is often the case, didn't receive the credit she's due. But unlike
Patti Labelle, who has chosen a career as the most histrionic singer in MOR soul/pop, or the relative invisibility of
Sarah Dash, who sang backup for
Keith Richards' X-Pensive Winos,
Hendryx has taken the road less traveled, and that has meant a more aesthetically rewarding and interesting career. ~ John Dougan, All Music Guide