Ø is the solo identity of
Mika Vainio of Finnish techno duo
Panasonic, the latter of whose brand of quirky, lo-fi minimalism has transformed them into one of the most popular exports from the Northern European techno underground. Unlike
Panasonic's harder, comparatively more dancefloor-oriented gear, however,
Vainio's
Ø work tends more toward the ambient and experimental, wedding sparse machine noises with shifting rhythms, stubbornly unmusical sonic textures, and assorted channel separation weirdness.
Vainio's
Ø releases stretch back to the early '90s (pre-dating his association with
Panasonic by a few years); his earliest work appeared on the Corporate label before landing with Finnish techno institution Sahko in 1993, where he's released most of his material, including three albums and a handful of EPs. The increasing popularity of
Panasonic has meant
Vainio's giving less and less time to his
Ø work, but he did manage to release some of his most accomplished solo material in 1996, on his third Sahko full-length
Olento, which featured the most effective fusion of
Panasonic's austere minimalism with less immediate, more challenging structures. Demand for
Vainio as a remixer has also grown of late, with revisions of tracks by
Björk and
Tactile both appearing in mid-1996. He continued to record as
Tekonivel (for Sahko sublabel Puu) and as
Kentolevi for
Patrick Pulsinger's Cheap label; titles issued under
Vainio's own name include 1998's
Onko, 1999's
Ydin, and the following year's
20 to 2000.
Wohltemperiert, the second collaboration between
Ø and
Noto, aka
Carsten Nicolai, appeared two years later, followed in 2004 by Sokeiden Maassa Yksisilmäinen on Kuningas (In the Land of the Blind One-Eyed Is King) and in 2009 by
Aineen Musta Puhelin (Black Telephone of Matter). ~ Sean Cooper, All Music Guide