If psychedelic music had a voice in '90s post-punk,
Mazzy Star may have been its strongest reincarnation. That doesn't necessarily mean that fans of
the Jefferson Airplane and
the Grateful Dead will find the band to their liking, however.
Mazzy Star much prefered the dark side of psychedelia, as exemplified by the most distended tracks of
the Doors and
the Velvet Underground. Their fuzzy guitar workouts and plaintive folky compositions are often suffused in a dissociative ennui that is very much of the 1990s, however much their textures may recall the drug-induced states of vintage psychedelia.
Although
Mazzy Star was nominally a full band, they were basically the core duo of guitarist
David Roback and singer
Hope Sandoval with backing musicians.
Roback boasts a long history in the paisley underground, with
the Rain Parade and
Opal. He came across
Sandoval after hearing a tape she had made as part of a folky duo, Going Home. (The Going Home album that
Roback subsequently produced remains unissued.)
Sandoval ended up replacing
Kendra Smith on
Opal's final tours. After
Opal dissolved,
Roback and
Sandoval continued to work together as
Mazzy Star, and released their first album for Rough Trade,
She Hangs Brightly, in 1990.
Rough Trade's U.S. branch went under shortly afterwards, but luckily
Mazzy Star were picked up by Capitol, who kept the debut in print and issued their follow-up, 1993's
So Tonight That I Might See. There isn't much to differentiate the two albums, though that's not necessarily a criticism. Both share similar strengths and weaknesses: appealingly dreamy and atmospheric arrangements, rambling distorted guitar workouts, and lyrics that mix the haunting and the meaninglessly vague.
Tonight That I Might See had been around for about a year before it suddenly got hot, reaching the Top 40, and spinning off a small hit single, "Fade Into You." Even in the wake of this surprise success,
Roback and
Sandoval remained as enigmatic and aloof as their music, rarely submitting to interviews, and offering mysterious, unhelpful replies when journalists did manage to talk with them. ~ Richie Unterberger, All Music Guide