While his gravelly baritone and omnipresent fedora, dark glasses and Groucho Marx moustache made him one of the more distinct and recognizable characters in popular music, little is known about the neo-vaudeville crooner
Leon Redbone. Throughout his career, he steadfastly refused to divulge any information about his background or personal life; according to legend,
Redbone's desire to protect his privacy was so intense that when he was approached by the famed producer
John Hammond, the contact number he gave was not his own phone, but that of a Dial-A-Joke service.
Because
Redbone first emerged as a performer in Toronto during the 1970s, he was believed to be Canadian; his work, a revival of pre-World War II ragtime, jazz and blues sounds, recalled the work of performers ranging from
Jelly Roll Morton and
Bing Crosby to blackface star
Emmett Miller. He made his recording debut in 1976 with
On the Track, which featured legendary jazz violinist
Joe Venuti as well as singer/songwriter
Don McLean; his 1977 follow-up
Double Time even reached the U.S. Top 40 charts, largely on the strength of his frequent appearances on television's "Saturday Night Live."
After 1978's
Champagne Charlie,
Redbone began recording only sporadically; following 1981's
Branch to Branch, he waited four years before re-entering the studio to cut
Red to Blue. Invariably, his albums featured guest appearances from a eclectic cast of luminaries: while 1987's
Christmas Island included a cameo by
Dr. John, 1994's
Whistling in the Wind included duets with
Ringo Starr and
Merle Haggard. Despite his low profile,
Redbone also earned a certain measure of fame as a fixture in various television advertising campaigns. ~ Jason Ankeny, All Music Guide