When
Jon Faddis burst on the jazz scene as a teenager, observers were amazed by his technique and his ability to sound like an identical twin of
Dizzy Gillespie (whose complex style had never been successfully duplicated before). After a period, he was typecast as a
Dizzy imitator but
Faddis' remarkable range (hitting higher notes than
Gillespie ever could) and the gradual development of his individual sound have helped him overcome the early fault. In fact,
Faddis can now also imitate
Roy Eldridge and
Louis Armstrong quite well, too.
Gillespie was always
Faddis' idol, from the time he started playing trumpet at age eight. After moving to New York in the early '70s,
Faddis played with
Lionel Hampton and
Charles Mingus (guesting on a recorded concert with the bassist when
Roy Eldridge became ill) and then recorded two notable albums for Pablo including a duet session with
Oscar Peterson. After playing a bit with
Gillespie (their best encounters in the mid-'70s were unfortunately not recorded),
Faddis seemed to disappear, sticking to studio work and playing first trumpet with
the Thad Jones/
Mel Lewis Orchestra. After re-emerging in the mid-'80s,
Faddis recorded for Concord and Epic and in 1993 became the musical director of
the Carnegie Hall Jazz Orchestra. He released Teranga on Koch in 2006. ~ Scott Yanow, All Music Guide