The New York-based pop group
Ivy came together in 1994 when multi-instrumentalist
Andy Chase placed an ad in the Village Voice in an attempt to start a band. Musician/songwriter
Adam Schlesinger answered
Chase, for the two had mutual musical tastes -- both liked
Prefab Sprout and
the Go-Betweens. Within months, the two met Parisian-born
Dominique Durand.
Durand had come to New York in 1989 to learn English, not join a band. Ironically enough,
Durand was a massive music fan and adored the sounds of
the Smiths,
the Pastels, and
House of Love. This allowed her to click with
Chase and
Schlesinger. She'd never sung before, but
Chase and
Schlesinger encouraged her to sing on the demo for "Can't Even Fake It." It was a pleasant surprise --
Durand had found her voice -- one that would become one of indie rock's finest and most artistically well-regarded voices of the decade -- and
Ivy was born.
Ivy inked a deal with local label Seed Records in 1994 and issued the "Get Enough/Drag You Down" single. Melody Maker in the U.K. jumped on it immediately and
Ivy's debut earned props as the Single of the Week. Several months later, the trio released the
Lately EP. Their rendition of
Orange Juice's "I Guess I'm Just a Little Too Sensitive" was a moderate hit among the indie rock circuit. Ex-
Orange Juice frontman
Edwyn Collins also enjoyed the track and asked
Ivy to be the opening act on his North American tour in 1995.
Ivy's first studio full-length,
Realistic, appeared that same year. Tours with fellow indie darlings --
Saint Etienne,
Lloyd Cole, and
Madder Rose -- allowed
Ivy's name began to soar.
By the time the band readied for a sophomore effort, they'd signed to a major label. In 1997,
Ivy issued
Apartment Life on Atlantic. This particular album highlighted
Chase and
Schlesinger's impressive studio skills.
Ivy was winning critics over with their sugary, sweet sound and
Apartment Life was regarded as one of the year's standout albums. Their star power was unstoppable, but gracefully so. "I Get the Message" and "This Is the Day" were featured on the soundtrack to the Farrelly Brothers' comedy
There's Something About Mary. Their cover of
Steely Dan's "Only a Fool Would Say That" was also included in the Farrelly Brothers' soundtrack for
Me, Myself and Irene. Fashionistas got a taste of
Ivy, too. A worldwide Volkswagen campaign catapulted the band's name into stardom.
Ivy never lost face, though. What made them so impressive was how they kept things simple and followed their own formula. It would work against them in the majors, but it wouldn't break up the band.
Ivy founded Stratosphere Sound, their studio with
Smashing Pumpkins guitarist
James Iha, before the '90s came to a close.
Chase and
Durand had also married;
Ivy was focused on the band's musical atmosphere and the texture of their sound, and this space allowed them to focus. Sony let them go, so they had complete creative control. Unfortunately, things didn't go so smoothly. Stratosphere Sound was subject to arson while the band was recording a third album in 2000. Countless dollars and valuable recording equipment were lost in the fire, but this didn't delay the completion of the record.
Long Distance arrived in fall 2001, four years after
Apartment Life. This marked
Ivy's first release with Nettwerk and the trio's classic pop sensibility was at its finest.
Durand and
Chase became parents of daughter, Justine, while also finding a new home with the Nettwerk label. That same year, the band composed the film score for the Farrelly Brothers' Jack Black comedy Shallow Hal. In fall 2002,
Ivy returned with an all-cover album,
Guestroom. On December 17,
Chase and
Durand welcomed their second child, Julien. Over the next few years,
Schlesinger released another album with
Fountains of Wayne, 2003's
Welcome Interstate Managers.
Durand and
Chase collaborated on a trip-hop album in 2004 under the
Paco moniker. A year later,
Ivy issued
In the Clear. ~ MacKenzie Wilson, All Music Guide