Freddie Slack was a part of two hit records during the swing era, making his mark on jazz history. Originally a drummer, he switched to piano soon after moving to Chicago in 1927.
Slack worked early on with Johnny Tobin. After moving to Los Angeles in 1931, he appeared with bands led by Henry Halsted,
Earl Burtnett,
Archie Rosate and
Lennie Hayton.
Slack gained some recognition for his playing with
Ben Pollack (1934-36) and
Jimmy Dorsey (1936-39). As a key piano soloist with Will Bradley's Orchestra during 1939-41,
Slack was well showcased on the famous recording of "Beat Me Daddy, Eight To The Bar" which helped launch the boogie-woogie fad.
Slack was a key voice on many other
Bradley recordings in the same vein; he also played quite effectively on some Big Joe Turner records. In 1942
Slack formed his own orchestra which soon scored with the very successful "Cow Cow Boogie" and "Strange Cargo." Freddie Slack's Orchestra initially featured singer
Ella Mae Morse and for a short time it was one of the more popular swing big bands, appearing in several films and recording for Capitol during 1942-47.
Freddie Slack was based in California in the 1950's and 60's but he faded from the spotlight with the end of the 1940's, recording a final small-group album for EmArcy in 1955. ~ Scott Yanow, All Music Guide