Although her country-flavored and blues-infused version of contemporary folk has drawn comparisons to musicians like
Lucinda Williams,
Gillian Welch,
Jolie Holland and
the Be Good Tanyas,
Eilen Jewell's strongest influences have been the classic sides recorded by
Bessie Smith and
Billie Holiday (the latter artist is no doubt the source for
Jewell's characteristic and surprisingly effective stretched, slowed and even slurred vocal mannerisms). Born and raised in Boise, Idaho,
Jewell began piano lessons at the age of seven and picked up the guitar when she was fourteen. She also fell under the powerful spell of
Smith and
Holiday (along with discovering other artists like
Bob Dylan and
Howlin' Wolf). While attending St. John's College in Santa Fe, she began playing the local farmers' markets and bars. She moved to Los Angeles, then relocated all the way across the country in early 2003 to Western Massachusetts, and later in the year she moved to Boston, where she threw herself into the vigorous local music scene. She recorded a live demo album in 2005 called
Nowhere in No Time and put out the self-released studio project
Boundary Country a year later in 2006. The critical response to
Boundary Country led to her signing with Signature Sounds and
Jewell's first national release,
Letters from Sinners & Strangers, appeared from the imprint in 2007. ~ Steve Leggett, All Music Guide