Christian Marclay was the first non-rap DJ to make an art form out of the turntable, treating the instrument as a means to rip songs apart, not bridge them together. A long-time associate of Downtown improv figures
John Zorn,
Elliott Sharp, and
Butch Morris as well as
the Kronos Quartet,
Marclay was inspired artistically by Joseph Beuys and musically by
John Cage and the
Fluxus group after a period studying at the Massachusetts College of Art. He noted the experimental applications made possible by using the turntable in ways hardly recommended by owners manuals and began performing as early as 1979.
Marclay's methods included standard scratching, playback on damaged turntables, the actual destruction (and reassembly) of vinyl to record the results, and creating musical juxtapositions by mixing together a variety of radically different artists. His 1985 installation
Footsteps included a gallery floor lined with thousands of records for people to walk over (the results were packaged and sold). His 1988 LP
More Encores featured tributes to a variety of musical figures, including "John Cage" (recorded by gluing together pieces of several records to create one) and "Louis Armstrong" (using a hand-cranked gramophone to alter the pitch). Though he recorded much more sparingly in the 1990s,
Marclay continued to appear on
Zorn projects, including several editions of his
Filmworks series. The Atavistic label has released the retrospective
Records 1981-1989.
Moving Parts was released in mid-2000. ~ John Bush, All Music Guide