Multi-talented and flamboyant,
Cee-Lo initially made a name for himself and his trademark crooning as part of pioneering Dirty South rappers
Goodie Mob before he broke away in the early 2000s for a colorful solo route. Along with fellow Atlanta rappers
OutKast,
Goodie Mob laid out the blueprint for the Dirty South style during the mid-'90s, making serious waves with their debut album,
Soul Food (1995).
Cee-Lo was an important member of the group, often singing the hooks to many of
Goodie Mob's best songs (e.g., "Cell Therapy," "Soul Food," "Black Ice"). But the group didn't last too long, and after a few releases over a five-year span,
Cee-Lo split with
Goodie Mob for a promising solo deal with Arista.
The deal came in the wake of Arista's success with
OutKast's
Stankonia (especially the single "Ms. Jackson"), not to mention the burgeoning neo-soul movement characterized by the likes of
Alicia Keys,
Jill Scott, and
Macy Gray. Arista label head
L.A. Reid no doubt sensed a lot of potential in
Cee-Lo and gave him the green light to record a solo album. That album,
Cee-Lo Green and His Perfect Imperfections (2002), sounded unlike anything else out there -- unlike
Cee-Lo's past work with
Goodie Mob, unlike his neo-soul contemporaries, and unlike pretty much anything else except the weirder corners of
OutKast's
Stankonia album.
The album unsurprisingly never took off commercially, despite some colorful promotion on
Cee-Lo's part (a wild video for "Closet Freak" and a belly-baring live tour), and the tattooed big man went back the drawing board, returning in early 2004 with
Cee-Lo Green Is the Soul Machine. This follow-up was just as free-spirited as
Cee-Lo's debut but was a more focused effort, anchored by some radio-friendly singles produced by big-money hitmakers
Timbaland ("I'll Be Around"),
Jazze Pha ("The One"), and
the Neptunes. It also featured some nice production by
Cee-Lo himself. Interestingly, Arista released the album shortly after parting ways with
Reid and also after experiencing enormous, Grammy-winning success with
OutKast's
Speakerboxxx/The Love Below, an album (
AndrT 3000's half, at least) that sounded quite a bit like
Cee-Lo's work.
In 2006,
Cee-Lo enjoyed his greatest success to date as half of
Gnarls Barkley, a duo also featuring producer
Danger Mouse. "Crazy," the lead single from
St. Elsewhere, the duo's debut album, was an instant hit in the U.K. and steadily rose to the top of the charts in the U.S. by the end of the summer. The critical acclaim and commercial success of
Gnarls Barkley awarded
Cee-Lo the most attention he'd ever enjoyed in his career to date.
Cee-Lo and DM followed it up with a second
Gnarls Barkley album,
The Odd Couple, in early 2008. A frequent collaborator,
Cee-Lo also worked with producer
Jazze Pha for Happy Hour,
Jazze Pha's singing and rapping debut, with
Cee-Lo co-producing and sharing vocals. In addition,
Cee-Lo teamed up with
PlantLife's
Jack Splash for the Heart Attack project.
~ Jason Birchmeier & Steve Leggett, All Music Guide