Often thought of as a cross between
Black Sabbath (due to their plodding, molten-heavy riffs) and
Rush (due to their singer's high-pitched,
Geddy Lee-esque wail), the somewhat obscure British metal outfit
Budgie has influenced countless outfits, despite enduring countless lineup shifts throughout their history. The group originally formed in 1967 in Cardiff, Wales, comprised of members
Burke Shelley (vocals, bass),
Tony Bourge (guitar), and
Raymond Phillips (drums), and by the early '70s, they'd inked a deal with MCA Records. This early lineup remains
Budgie's most definitive, due to the fact that it spawned three of the group's finest albums -- 1971's self-titled debut, 1972's
Squawk, and 1973's
Never Turn Your Back on a Friend -- while the group's quirky song titles became somewhat of a trademark for the trio (such ditties as "Nude Disintegrating Parachutist Woman," "Hot as a Docker's Armpit," "In the Grip of a Tyrefitter's Hand," and "You're the Biggest Thing Since Powdered Milk"). For fans of early
Sabbath, the aforementioned three discs are a must-have.
Despite building a sizeable following in their homeland (while never breaking out of cult status stateside),
Phillips left the group prior to their fourth album, 1974's
In for the Kill!, replaced by newcomer
Pete Boot, which would in turn set off a flurry of steady lineup changes over the years for the group (the only constant
Budgie member from the beginning was
Shelley). Further releases were issued throughout the '70s, including 1975's
Bandolier, 1976's
If I Were Brittania I'd Wave the Rules, and 1978's
Impeckable, but each appeared to be less inspired than its predecessor. With the emergence of the New Wave of British Heavy Metal movement (
Judas Priest,
Iron Maiden,
Mot÷rhead, etc.), interest in
Budgie appeared to be rekindled once more in England, as
Budgie headlined the Reading Festival in 1980 and 1982, in addition to issuing such albums as 1980's
If Swallowed Do Not Induce Vomit and
Power Supply, 1981's
Nightflight, and 1982's
Deliver Us from Evil.
Shelley and company would remain together for a few more years before splitting up quietly by the mid-'80s (ex-members
Bourge and
Phillips would unite in a new group called
Tredegar, issuing a lone self-titled release in 1985). But almost as soon as they disbanded, several high-profile groups began covering
Budgie classics, including
Metallica ("Crash Course in Brain Surgery" and "Breadfan"),
Iron Maiden ("I Can't See My Feelings"), and
Soundgarden ("Homicidal Suicidal"), while back in their early club days
Van Halen was known to cover the title track from
In for the Kill! Budgie reunited for sporadic live gigs throughout the '90s (while past members formed the similarly styled outfits Six Ton Budgie and Boot66), resulting in several archival collections being issued: the best-of compilations
An Ecstasy of Fumbling: The Definitive Anthology (a double-disc set) and
Best of Budgie (a single disc), as well as the live sets
Heavier Than Air: Live on the BBC and
We Came We Saw (the latter of which featured selections from both of their Reading Festival appearances in the early '80s). ~ Greg Prato, All Music Guide