Japanese cult favorite sludge/doom rock trio
Boris takes their name from a song on grunge godfathers
the Melvins'
Bullhead album. They also have a lot in common with
the Melvins musically, including a fondness for heavily down-tuned guitar/bass tones and exceedingly slow tempos. But they also incorporate elements variously drawn from other sources, including psychedelic rock, punk, noise, minimalism, pure sludge-drone music à la
Earth, and more. Also, despite the unpretentious psychedelic/stoner rock imagery that accompanies much of their work, there is an ambitiously experimental aspect to much of it. Their albums, for example, have tended to be massive conceptual projects:
Absolutego, in its original form, was a feedback-heavy drone exploration consisting of a single 65-minute track;
Flood consists of another extremely long track, 70-plus minutes in length, exploring the band's quieter sides with a minimalist/phase music slant. Also on the more experimental end of their discography are collaborations with Japanese avant-garde enigma
Keiji Haino and power electronics/noise legend
Merzbow.
Boris formed during the early '90s and consists of guitarist
Wata, bassist
Takeshi, and drummer/vocalist
Atsuo. They made their first recorded appearance on an obscure 1994 compilation entitled Take Care of Scabbard Fish, released only in Japan and now out of print.
Absolutego, their full-length debut, came out in 1996 on the band's own Fangs Anal Satan imprint but was unavailable in the U.S. for years, a situation that was remedied when the Los Angeles-based Southern Lord label reissued the album in early 2001 along with a bonus track and new packaging. Their next album,
Amplifier Worship, came out on the Mangrove label in 1998 and was also unavailable in the U.S. for several years; San Francisco's Man's Ruin had planned to reissue it in the fall of 2001, but the label folded before that could happen. 1998 also saw the release of the
Boris/
Keiji Haino collaboration, a live disc entitled Black: Implication Flooding, which came out on Japan's Inoxia Records. In 1999,
Boris issued a split CD with fellow Japanese band
Choukoko No Niwa, More Echoes, Touching Air Landscape, which also came out on Inoxia and featured
Boris weighing in with a brief (for them) 28-minute contribution. Their third full-length album,
Flood, was released two years later on the MIDI Creative label. Their 2006 album
Pink put them back on Southern Lord and featured some shoegaze-influenced sounds. A year later
Rainbow appeared with
Michio Kurihara from the Japanese band
Ghost contributing to the soundscapes. Also in 2007, they released a limited-edition recording of a live performance with Japanese noise master
Merzbow in Tokyo titled
Rock Dream.Smile, the group's fourteenth album was released in spring, 2008. ~ William York, All Music Guide