One of 2006's most unexpected indie success stories,
Beirut combines a wide variety of styles, from pre-rock pop music and Eastern European Gypsy styles to the alternately plaintive and whimsical indie folk of
the Decemberists to the lo-fi, homemade psychedelic experimentation of
Neutral Milk Hotel. At the heart of this sonic hybrid was a teenager from Albuquerque, NM, a fact that made
Beirut's debut album,
Gulag Orkestar, all the more surprising. Something of a musical prodigy, multi-instrumentalist
Zach Condon began making one-man D.I.Y. bedroom recordings in his early teens; while conducting interviews several years later, he claimed to have recorded an entire album of 1950s-style doo wop material and a collection of electronic pop songs inspired by
the Magnetic Fields. (Indeed,
Condon's dolorous vocal delivery and low, somewhat shaky pitch sound directly inspired by
the Fields'
Stephin Merritt.)
After dropping out of high school,
Condon claims to have traveled through Europe at the age of 16, in the process becoming exposed to the Balkan folk and Gypsy music that's at the heart of
Gulag Orkestar. Back home in Albuquerque,
Condon crossed paths with fellow New Mexican
Jeremy Barnes, formerly of
Neutral Milk Hotel, whose own albums as
A Hawk and a Hacksaw share similarly ethnographic interests with
Condon's new material. With the help of
Barnes and his
A Hawk and a Hacksaw partner,
Heather Trost,
Condon recorded the songs that would make up
Gulag Orkestar largely on his own, playing accordion, keyboards, saxophone, clarinet, mandolin, ukulele, horns, glockenspiel, and percussion along with
Barnes' drums and
Trost's cello and violin.
After
Barnes gave an early version of the album to Ba Da Bing! Records label head Ben Goldberg, the newly christened band
Beirut was signed to the New Jersey-based label and
Condon moved from Albuquerque to Brooklyn, where he put together a floating collective of part-time bandmembers along the lines of
Broken Social Scene for live performances. Following the release of
Gulag Orkestar in May 2006, critical approbation quickly moved from the smallest blogs to mainstream media outlets that pegged
Condon as a one-man cross between
Jeff Mangum,
Conor Oberst, and
Sufjan Stevens. The EP
Lon Gisland followed in 2007, leading up to the full-length
The Flying Club Cup later that year. In 2009
Condon released the double EP
March of the Zapotec/Holland. The latter featured six electronic tracks recorded at home under the pseudonym
Realpeople, while the former included six tracks recorded in Oaxaca, Mexico with the Jimenez Band, a 19-piece group from Teotitlán del Valle. ~ Stewart Mason, All Music Guide