In 1978, just coming off what most
Woody Shaw fanatics consider his masterpiece, 1977's
Rosewood,
Shaw planned on recording another studio album with a similar sound. However, after a disappointing session,
Shaw thought better of his initial choice and the band regrouped for a two-night stint at New York's fabled Village Vanguard. The results were nothing short of magic as the band sounds technically and creatively inspired. Interestingly,
Shaw is playing cornet here and loses nothing of his rounded, clarion bell tones. Also, given the superb production,
Stepping Stones bests some other live
Shaw recordings, sounding as good as a studio effort. Joining
Shaw is his regular group of the time, including tenor saxophonist
Carter Jefferson, pianist
Onaje Allan Gumbs, bassist
Clint Houston, and drummer
Victor Lewis. One would be hard-pressed to find a better hardcore, post-jazz ensemble in the late '70s. To that end, the music here is soulful, cerebral, harmonically complex jazz that is the epitome of post-bop.
Shaw was underappreciated while alive and still more often than not is overshadowed by the more well-known Blue Note icon trumpeter
Freddie Hubbard. While
Shaw was no doubt heavily influenced by
Hubbard -- who was five years his senior --
Shaw nonetheless refined and pushed
Hubbard's athletic and harmonically complex style. If
Hubbard was the innovator,
Shaw pushed those innovations as far as they could go. Few have come close to approaching his artistry and cerebral architecture and none have gone past it.
Stepping Stones: Live at the Village Vanguard captures that artistry in motion. ~ Matt Collar, All Music Guide