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Film Music 1998-2001,Wayne Horvitz

songs

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    • Car In The Lake
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    • The Shell
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    • Putting It Together
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    • Clogging The Canal
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    • Sell Out
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    • Vegas
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    • The Curtain
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    • The Aggregate
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    • Nouveau Riche I
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    • Walking In Venice
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    • The Museum
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    • Monterey
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    • In The Closet
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    • Sky Shot
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    • Up And Over
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    • Night Life, Right Life
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    • Floating The Blues
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    • In The House
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    • Capricious Midnight
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    • Twistin And Turnin
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    • Mrs. Bates
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    • Nouveau Riche II
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    • Glass On The Water
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    • Walking The Plaza
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    • Mumble
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    • From Where I See It Now
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    • Inside The Outside
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    • Buena Note
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    • Car In The Lake II
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    • Prelude
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    • Scene I
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    • Hot Dog
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    • The Chase
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    • House Of Mirrors
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    • Lady In The Box
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    • Mealtime
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    • Eating The Egg
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    • William Tell
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    • Barber Shop
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    • The Girl
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    • The Show
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    • The Circus Prospered
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    • Pitch Fork
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    • Charlie On The Ropes
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    • The Store/The Campfire
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    • The Wedding
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    • Finale: The Circus Leaves Town

album review

Wayne Horvitz decided to scramble the tracks on this collection, taking pieces from different film projects and sequencing them out of order to make an album of stand-alone music. The effect is simply stunning, as Horvitz pulls the works from their original contexts and births a whole new beast in the process. The conceptual shifts seem random at first but unfold with an appealing aesthetic coherence. Within the first four tracks alone (there are 47 in all), Horvitz moves from eerie samples to mellow acoustic to hip-hop to early jazz. (Bill Frisell, DJ Logic, Julian Priester, Michael Bisio, and the members of Zony Mash are among the supporting musicians.) As the disc plays, patterns begin to emerge and the specific character of each film project becomes clearer. In addition to music for Gary Gibson's Chihuly Over Venice and an untitled film by Gus Van Sant, Horvitz includes four pieces composed for a Frank Gehry exhibit, six from a project called "Bellagio," and three intriguing demos. Tracks 30 through 47 depart from the rest of the program by presenting, in one continuous block, music conceived for Charlie Chaplin's The Circus, performed live by the Seattle Chamber Players. ~ David R. Adler, All Music Guide

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