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Stealth: Music From The Motion Picture,Various Artists

- Stealth: Music From The Motion Picture
- - 141,756 plays
  - 120 favs
  - 24 shares
Various Artists
Released 2005

Over My Head (Cable Car)
03:56
9,698 plays

One Day
04:20
8,710 plays

Different
04:08
6,321 plays

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songs

- 1
- Make A Move
- 03:12
- 21,563 plays

- 2
- Admiration
- 04:13
- 32,802 plays

- 3
- Neither of Us Can See
- 04:04
- 15,462 plays

- 4
- (She Can) Do That
- 03:16
- 4,618 plays

- 5
- Dance To The Music
- 04:04
- 4,703 plays

- 6
- Bullet-proof Skin
- 04:23
- 20,267 plays

- 7
- L.S.F.
- 03:19
- 5,053 plays

- 8
- Bug Eyes
- 04:16
- 4,744 plays

- 9
- Over My Head (Cable Car)
- 03:56
- 9,698 plays

- 10
- One Day
- 04:20
- 8,710 plays

- 11
- Different
- 04:08
- 6,321 plays

- 12
- Nights In White Satin
- 04:55
- 2,885 plays

- 13
- Aqueous Transmission
- 07:47
- 4,930 plays

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album review

Stealth's claim to fame is three brand new songs from Incubus. The Californians have continually matured over the years (one listen to 2004's ambitious Crow Left of the Murder proves that), and the Stealth material continues that trajectory. "Make a Move" rails like an athletic, vibrant version of vintage Soundgarden, "Admiration" doesn't overdo it on the strings and melodrama, and "Neither of Us Can See" is an audaciously arranged, mildly psychedelic foot-tapper that features duet vocals between Brandon Boyd and Chrissie Hynde. It's a little weird that Sony chose to debut these songs on the soundtrack for an iffy late-summer actioner about a robot bomber gone rogue. But they're strong entries regardless, and help Stealth's quality climb higher than, say, the set for Fantastic Four. There's filler here, of course. Trading Yesterday is a too-clean amalgam of CCM and the Calling, and Acceptance offers the twinkling emo plead of "Different." But Stealth also opts for a number of collaborative tracks. They don't all work, but they're still more interesting than the average summer movie soundtrack fare. For example, Chili Peppers Chad Smith and John Frusciante (his guitar tone is unmistakable) join Glenn Hughes (Deep Purple, occasional Black Sabbath vocalist) for a reverent take on "Nights in White Satin." Hughes absolutely wails at the end. David Bowie's meet-up with BT isn't as successful. "[She Can] Do That" has a punchy electronic bounce, but it could be Bowie or anybody on the chopped-up vocal. Likewise, will.i.am selfishly recuts the Sly & the Family Stone classic "Dance to the Music" as a platform for his "I'm the best dancer ever" proclamations. Elsewhere there's "Bullet-Proof Skin" from Institute, the new project of grunge survivor Gavin Rossdale. Here's he's paired with Photek, but the producer's trademark electronic manipulation isn't apparent in the forgettable song, which sounds remarkably like the year 1994 refashioned for a new century. ~ Johnny Loftus, All Music Guide