various artists / albums

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- Now, Vol. 13
- - 187,047 plays
  - 33 favs
  - 6 shares
Various Artists
Released 2003

Clocks
04:10
9,391 plays

Rock Your Body
04:26
9,285 plays

Big Yellow Taxi
03:43
8,806 plays

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songs

- 1
- Rock Your Body
- 04:26
- 9,285 plays

- 2
- I'm Glad
- 03:41
- 5,111 plays

- 3
- Girlfriend
- 03:23
- 5,333 plays

- 4
- Excuse Me Miss
- 03:49
- 5,136 plays

- 5
- Hell Yeah
- 03:38
- 6,226 plays

- 6
- Pump It Up
- 03:57
- 7,455 plays

- 7
- I Can
- 04:08
- 22,115 plays

- 8
- Don't Wanna Try
- 04:06
- 27,697 plays

- 9
- If You're Not the One
- 04:03
- 8,179 plays

- 10
- Big Yellow Taxi
- 03:43
- 8,806 plays

- 11
- Feel
- 04:23
- 4,649 plays

- 12
- Stuck
- 03:42
- 7,157 plays

- 13
- Lights Out
- 03:38
- 3,586 plays

- 14
- Girl All the Bad Guys Want
- 03:16
- 12,558 plays

- 15
- In This Diary
- 03:49
- 7,821 plays

- 16
- The Hell Song
- 03:16
- 14,259 plays

- 17
- Send the Pain Below
- 04:10
- 6,770 plays

- 18
- The Road I'm On
- 03:58
- 7,129 plays

- 19
- Serenity
- 03:45
- 8,384 plays

- 20
- Clocks
- 04:10
- 9,391 plays

album review

At 13 volumes in, the American version of the Now That's What I Call Music! series has become quite stratified in terms of its selections and organization. Begun in the fall of 1998 at the height of a teen pop trend, the series retains an affection for the remaining vestiges of that style, and standard-bearers Justin Timberlake of *NSYNC and Jennifer Lopez lead off this volume. After that, there is the familiar seguing to rap/hip-hop, adult contemporary, pop/rock, and mainstream rock over the course of the 20 selections. Released roughly every four months, the albums do not present the 20 biggest hits of the period by any means. Rather, the choices represent both a sampling of different styles and a combination of tracks that are actually popular with ones the major record labels are trying to push. This particular collection is a qualified success as a time capsule of the popular music of its time: the trend toward snotty adolescent punk-lite is glimpsed in the inclusion of Bowling for Soup's "Girl All the Bad Guys Want," the Ataris' "In This Diary," and Sum 41's "The Hell Song," for example, while the wave of artists exposed by the reality TV shows is ignored. ~ William Ruhlmann, All Music Guide