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Waiting For The Sun (40th Anniversary Mixes),The Doors

- Waiting For The Sun (40th Anniversary Mixes)
- - 50,202 plays
  - 23 favs
  - 9 shares
The Doors
Released 2007

Hello, I Love You (New Stereo Mix)
02:40
4,677 plays

Love Street (New Stereo Mix)
02:57
4,123 plays

Not To Touch The Earth (New Stereo Mix)
04:01
4,009 plays

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songs

- 1
- Hello, I Love You (New Stereo Mix)
- 02:40
- 4,677 plays

- 2
- Love Street (New Stereo Mix)
- 02:57
- 4,123 plays

- 3
- Not To Touch The Earth (New Stereo Mix)
- 04:01
- 4,009 plays

- 4
- Summer's Almost Gone (New Stereo Mix)
- 03:23
- 2,808 plays

- 5
- Wintertime Love (New Stereo Mix)
- 01:57
- 2,673 plays

- 6
- The Unknown Soldier (New Stereo Mix)
- 03:27
- 2,882 plays

- 7
- Spanish Caravan (New Stereo Mix)
- 03:02
- 3,396 plays

- 8
- My Wild Love (New Stereo Mix)
- 03:01
- 2,847 plays

- 9
- We Could Be So Good Together (New Stereo Mix)
- 02:24
- 2,572 plays

- 10
- Yes, The River Knows (New Stereo Mix)
- 02:42
- 2,598 plays

- 11
- Five To One (New Stereo Mix)
- 04:33
- 3,698 plays

- 12
- Albinoni's Adagio in G Minor
- 04:31
- 2,563 plays

- 13
- Not To Touch The Earth (Dialogue)
- 00:39
- 2,480 plays

- 14
- Not To Touch The Earth (Take 1)
- 04:02
- 1,811 plays

- 15
- Not To Touch The Earth (Take 2)
- 04:15
- 1,867 plays

- 16
- Celebration Of The Lizard
- 17:07
- 2,267 plays

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album review

The Doors' 1967 albums had raised expectations so high that their third effort was greeted as a major disappointment. With a few exceptions, the material was much mellower, and while this yielded some fine melodic ballad rock in "Love Street," "Wintertime Love," "Summer's Almost Gone," and "Yes, the River Knows," there was no denying that the songwriting was not as impressive as it had been on the first two records. On the other hand, there were first-rate tunes such as the spooky "The Unknown Soldier," with antiwar lyrics as uncompromisingly forceful as anything the band did, and the compulsively riff-driven "Hello, I Love You," which nonetheless bore an uncomfortably close resemblance to the Kinks' "All Day and All of the Night." The flamenco guitar of "Spanish Caravan," the all-out weirdness of "Not to Touch the Earth" (which was a snippet of a legendary abandoned opus, "The Celebration of the Lizard"), and the menacing closer "Five to One" were also interesting. In fact, time's been fairly kind to the record, which is quite enjoyable and diverse, just not as powerful a full-length statement as the group's best albums. [Rhino's 2007 edition included bonus tracks.] ~ Richie Unterberger, All Music Guide