Most can call it from memory: the image of
the Beatles disembarking from their plane on a cold February day in New York. Less visible in the old black-and-white film footage, but perhaps more important, is a young girl clutching a copy of
the Beatles' just-released second album,
Meet the Beatles!, as if the world depended on it. And, to her and millions of other young people, it did.
Meet the Beatles! wasn't simply an album; it gave the intangible yearnings of youth a voice and a face (actually, four voices and four faces), and it created a parallel world where escape was only a turntable away. Today,
Meet the Beatles! is a collectible in danger of becoming forgotten, if not for the diligence of
Beatles fans around the world. Compact discs have replaced vinyl, and the decision to release the original U.K. versions of
the Beatles' albums in favor of their U.S. counterparts has rendered albums like
Meet the Beatles! and
The Beatles' Second Album obsolete. But nothing could make the music on these LPs obsolete. The infectious charm of songs like "I Want to Hold Your Hand," "I Saw Her Standing There," "It Won't Be Long," and "All My Loving" still weave their magic which, if less potent in an age jaded by a generation of musicians who had the benefit of
the Beatles' songbook tucked underneath their arms, still carries an aura around it -- just as the first moon landing will never be eclipsed by subsequent forays into space.
Meet the Beatles! soon topped the charts, aided by electric appearances on the Ed Sullivan Show that carried the flames of Beatlemania across the ocean, and (together with the single "She Loves You") kicked off a string of number one singles and albums. Most of the songs were holdovers from the U.K. album
With the Beatles, released two months earlier. Capitol, who wisely decided that there might be money in releasing the band's work in the U.S., chose original tracks from their second U.K. album and added the contents of a recent U.S. single plus a B-side,
John Lennon's ballad "This Boy," to the mix. This created the illusion that
the Beatles wrote all their own material (since only
Meredith Willson's "Till There Was You" was a non-original), an illusion dispelled by the necessarily cover-heavy
The Beatles' Second Album. So, in many ways,
Meet the Beatles! distilled what was best about the band: original material from
Lennon,
Paul McCartney, and even
George Harrison (his first, "Don't Bother Me"). Everyone gets a chance to sing, including
Ringo Starr ("I Wanna Be Your Man," which
Rolling Stones manager
Andrew Loog Oldham had coaxed from the band earlier), and the mix of rockers and ballads proves to be a beautiful blend. Let compact disc companies try their hand at historical revision: they can't steal the memories of Americans who still remember how they first met
the Beatles, any more than they could pry that album from that young girl's hands. ~ Dave Connolly, All Music Guide