silverstein / albums

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- 18 Candles: The Early Years
- - 497,435 plays
  - 106 favs
  - 37 shares
Silverstein
Released 2006

My Heroine (Acoustic)
03:34
99,491 plays

Defend You (Live)
03:35
9,805 plays

Call It Karma (Acoustic)
04:19
69,359 plays

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songs

- 1
- Waiting Four Years
- 04:03
- 20,461 plays

- 2
- Wish I Could Forget You
- 03:37
- 20,207 plays

- 3
- Friends In Fall River
- 03:02
- 18,827 plays

- 4
- Summer's Stellar Gaze
- 02:47
- 15,609 plays

- 5
- My Consolation
- 04:03
- 20,237 plays

- 6
- Forever And A Day
- 04:27
- 18,307 plays

- 7
- Red Light Pledge
- 03:51
- 17,742 plays

- 8
- Dawn Of The Fall
- 04:17
- 17,738 plays

- 9
- Wish I Could Forget You (Alternate Version)
- 03:28
- 19,477 plays

- 10
- Bleeds No More
- 03:17
- 55,926 plays

- 11
- Last Days Of Summer
- 04:26
- 26,167 plays

- 12
- Waiting Four Years (Alternate Version)
- 04:14
- 12,869 plays

- 13
- My Heroine (Acoustic)
- 03:34
- 99,491 plays

- 14
- Call It Karma (Acoustic)
- 04:19
- 69,359 plays

- 15
- Discovering The Waterfront (Live)
- 04:46
- 13,128 plays

- 16
- Defend You (Live)
- 03:35
- 9,805 plays

- 17
- Bleeds No More(Live)
- 04:16
- 13,122 plays

- 18
- Smile In Your Sleep (Remix)
- 04:35
- 26,970 plays

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album review

For latecoming fans of screamo kingpins Silverstein, this disc will be a welcome surprise: it brings together the complete contents of the band's first two EPs, Summer's Stellar Gaze and When the Shadows Beam, along with a handful of bonus tracks including acoustic versions of "My Heroine" and "Call It Karma," three live recordings (among them a blistering rendition of "Bleeds No More" featuring guest vocals from Aiden's WiL), and -- bizarrely -- a dance (more or less) remix of "Smile in Your Sleep." The EPs are both full of charmingly off-kilter touches, such as the violin that takes center stage on several tracks (notably the fine "Waiting Four Years") and what is at times an almost Robert Fripp-ish approach to crosspicked guitar arpeggios. The earliest tracks are tightly played but recorded with a charmingly scruffy sound, and it isn't until the second EP that the screaming really starts in earnest. There are moments on that part of the program -- especially on the nicely crafted "Dawn of the Fall" -- when the band sounds something like a cross between the Cure and Hüsker Dü. The bonus tracks, too, are more than just filler: "My Heroine" suffers a bit from an out of tune guitar, and the band's vocal limitations are more exposed on the live version of "Discovering the Waterfront" than they tend to be in the studio, but there's an amazing energy to the live recordings and the remix is an enjoyable curiosity. ~ Rick Anderson, All Music Guide