she wants revenge / albums

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220 SHARES
1,269 FAVS
106 fans

- She Wants Revenge
- - 75,525 plays
  - 20 favs
  - 7 shares
She Wants Revenge
Released 2006

These Things
05:14
9,295 plays

[Untitled Track]
00:04
9 plays

[Untitled Track]
00:04
7 plays

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songs

- 1
- Red Flags and Long Nights
- 05:11
- 5,964 plays

- 2
- These Things
- 05:14
- 9,295 plays

- 3
- I Don't Wanna Fall in Love
- 03:39
- 5,088 plays

- 4
- Out of Control
- 03:39
- 6,815 plays

- 5
- Monologue
- 04:56
- 3,830 plays

- 6
- Broken Promises for Broken Hearts
- 03:19
- 4,427 plays

- 7
- Sister
- 05:18
- 5,076 plays

- 8
- Disconnect
- 02:29
- 3,437 plays

- 9
- Us
- 04:23
- 3,307 plays

- 10
- Someone Must Get Hurt
- 04:48
- 3,798 plays

- 11
- Tear You Apart
- 04:46
- 18,081 plays

- 12
- She Loves Me, She Loves Me Not
- 05:21
- 3,607 plays

- 13
- [Untitled Track]
- 00:04
- 218 plays

- 14
- [Untitled Track]
- 00:04
- 21 plays

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- [Untitled Track]
- 00:04
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- 00:04
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- 00:04
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- 00:04
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- 00:04
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- 00:04
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- [Untitled Track]
- 00:04
- 312 plays

- 66
- [Untitled Track]
- 07:48
- 1,921 plays

album review

Los Angeles Joy Division-obsessed duo She Wants Revenge blend electronic beats with goth pop misery on their self-titled Geffen debut. DJs Justin Warfield and Adam "Adam 12" Bravin may have crafted the post-punk equivalent of XTC alter-egos Dukes of Stratosphear's psychedelic rock tribute Chips from the Chocolate Fireball, but there is suspicion as to whether or not it was intentional. Like fellow reanimators Interpol, the Bravery, or even the mysterious Lansing-Dreiden, She Wants Revenge love early Depeche Mode, Bauhaus, and pre-Land of Rape and Honey Ministry, but what makes their impeccably crafted, highly listenable/danceable collection of angst so dubious is its utter duplicity. There's nothing wrong with honoring your influences by copping a few moves and singing in a fake British accent like Green Day with the intentions of updating a genre that many potential listeners are too young to have experienced first-hand, but it's another thing to do it without even the slightest deviation. ~ James Christopher Monger, All Music Guide