Now running his own Qwest label and a thousand other things,
Quincy Jones still owed one more album to A&M -- and he gave them a blockbuster, one that reached number ten, yielded three hit pop singles and made a star out of soul balladeer
James Ingram. "Ai No Corrida," and the leadoff track, is the
Quincy Jones hit method par excellence -- great pacing, superb sound, a catchy tune, a hot
Ernie Watts tenor sax solo and you can dance to it, too.
Stevie Wonder's irresistible synthesizer hooks lift his "Betcha Wouldn't Hurt Me," and Q and omnipresent composer
Rod Temperton are far-seeing enough on the title track to anticipate the rise of rap. But where does all of this pop wizardry, soon to assume mythic dimensions on
Michael Jackson's Thriller, leave the jazz listener? Yes,
Quincy has thought of you too, however briefly, on
Ivan Lins' wistful "Velas," where perennial house jazzer
Toots Thielemans eloquently returns, taping his part in Belgium. Obviously, though, the main purpose here is to make hit pop singles, and
The Dude does a pretty good job of that. ~ Richard S. Ginell, All Music Guide