Song order
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Play count
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1
I've Said All I Need To Say About Them (Intro)
03:32
1,913 plays
2
Hide Ya Face
03:13
2,374 plays
3
Bad Memory (Interlude One)
00:41
1,682 plays
4
Ty Versus Detchibe
03:21
1,837 plays
5
Expressing Views Is Obviously Illegal
03:41
1,673 plays
6
Pastel Assassins
04:26
1,831 plays
7
Pagina Dos
02:28
2,109 plays
8
Silence (Interlude)
00:56
1,198 plays
9
Now You're Leaving
02:38
1,473 plays
10
Gratis
04:51
2,027 plays
11
We Got Our Own Way
03:19
1,541 plays
12
Mantra
01:05
1,341 plays
13
Sabbatical With Options
02:44
2,321 plays
14
It's Crowded
04:53
1,710 plays
15
Just The Thought
03:37
1,444 plays
16
La Correcion Exchange
04:15
1,559 plays
17
Hide Ya Face (Reminder Version)
01:34
1,079 plays
18
Morale Crusher
01:13
1,086 plays
19
Minutes Away Without You
03:48
1,453 plays
20
Rain Edit Interlude
01:36
1,582 plays
21
And I'm Gone
02:55
1,396 plays
play all
album review
Scott Herren's first two full-lengths as Prefuse 73 were masterly collisions of wave-your-hand party breaks and stop-time glitch techno. Everything held sacred in the hip-hop playbook -- including the rapper -- was merely fodder for Herren's processor, and given enough time, he could rearrange an earthy old-school track into a computer-bred monster that would make a master of the jutting sample like Marley Marl sound close to a syrupy G-funk producer in comparison. While Herren's third album down the line could never be the same revolution in sound as his first two, it's a surprise nevertheless to find it downright desultory. With a series of all-star rap features -- including three underperforming members from Wu-Tang Clan and three OK contractors from Definitive Jux -- Herren's productions serve his guests instead of his own tracks, and the result is very close to just another underground rap record, with the usual collection of untraceable sound detritus to anchor its productions. Several of the instrumentals recapture something of the Prefuse 73 magic, but Herren isn't entirely successful even when in cut-and-splice mode -- one track finds him sampling and repeating a series of downright annoying nasalisms from Tyondai Braxton (although the title, "Mantra," furnishes a partial explanation). ~ John Bush, All Music Guide
Date
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