los fabulosos cadillacs / albums

396,993 plays
81 SHARES
258 FAVS
30 fans

- Rey Azucar
- - 33,720 plays
  - 21 favs
  - 3 shares
Los Fabulosos Cadillacs
Released 1995

Estrella de Mar
04:32
963 plays

Muerte Querida
04:18
933 plays

Miami
03:01
881 plays

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songs

- 1
- Mal Bicho
- 04:03
- 12,056 plays

- 2
- Strawberry Fields Forever
- 04:17
- 4,040 plays

- 3
- Carmela
- 02:58
- 2,082 plays

- 4
- Paquito
- 02:52
- 1,139 plays

- 5
- Ciego de Amor
- 05:27
- 1,170 plays

- 6
- Miami
- 03:01
- 881 plays

- 7
- Raggapunkypartyrebelde
- 03:34
- 1,382 plays

- 8
- Estrella de Mar
- 04:32
- 963 plays

- 9
- Las Venas Abiertas de America Latina
- 02:45
- 1,210 plays

- 10
- Reparito
- 02:22
- 697 plays

- 11
- Padre Nuestro
- 03:33
- 3,248 plays

- 12
- Muerte Querida
- 04:18
- 933 plays

- 13
- Hora Cero
- 04:39
- 830 plays

- 14
- Queen from the Ghetto
- 05:29
- 761 plays

- 15
- Saco Azul
- 03:36
- 1,500 plays

- 16
- No Pienses Que Fui Yo
- 04:29
- 828 plays

album review

With Rey Azucar, Los Fabulosos Cadillacs made their most high-profile album to date. It was produced by Tina Weymouth and Chris Frantz of Talking Heads, and contained guest appearances from punk icons Mick Jones of the Clash (on "Mal Bicho") and Blondie's Debbie Harry (on a reggae cover of "Strawberry Fields Forever," sung in Spanish), as well as reggae star Big Youth on several tracks. The high-profile guests certainly got the album more attention in the U.S. press than any previous album, but those aren't even the album's highlights. Earlier Cadillacs albums were rooted almost exclusively in ska, reggae, and salsa, but on this record the band developed a harder sound, interspersing thrash and punk into the mix. The mournful "Carmela" is a prime example, meandering from rollicking ska to heavy metal thunder within the space of a verse. "Paquito" is a heartbreaking ode to an HIV-positive boy and another clear example that as the band incorporates more wide-ranging influences, their essential gift for painting vivid musical portraits remains intact. Another significant change is that the album, apart from some light touches, seems to reflect a darker lyrical tone. Several tracks make references to depression and suicide. It's clearly an attempt to expand their musical and lyrical range, and on the whole, the album succeeds. The songwriting isn't as fully developed as it would be later on, but it's a superb place to start. ~ Victor W. Valdivia, All Music Guide