Split CDs are usually devoted to previously unreleased material. But Fonovisa Records often uses them as best-of collections; typically, a split CD from Fonovisa is a 20-song disc containing ten previously released songs by one artist and ten by another. Fonovisa usually picks two similar artists for their split CDs -- perhaps two romantic singers like
Joan Sebastían and
Marco Antonio Solís, perhaps two norteño bands like
Los Rieleros del Norte and
Adolfo Urias y Su Lobo Norteño. And on this split CD, Fonovisa shows listeners the parallels between the all-male band
Los Angeles de Charly and the female quartet
Aroma. Both of them are regional Mexican acts with a strong interest in cumbia; they don't embrace cumbia in a traditionally Colombian way, but rather, combine it with regional Mexican music and sleek Latin pop. The 20 songs on this 69-minute CD -- ten by
Los Angeles de Charly, ten by
Aroma -- don't cater to cumbia purists and don't pretend to be modeled after the classic Colombian cumbia of
Leonor González Mina or
Lucho Bermúdez. Nor are
Los Angeles de Charly and
Aroma pretending to offer traditional Mexican music -- this isn't an album of mariachi bands playing "Guadalajara" and "Cielito Lindo" any more than it is an
Alberto Pacheco collection. But for those who hold regional Mexican music, Latin pop, and cumbia in equally high regard, this is an enjoyable CD. Whether Fonovisa exposes listeners to
Los Angeles de Charly on "Mentiras," "Un Sueño," and the doo wop-ish "Amor Secreto" or
Aroma on "Enamoradas" and "Ese Hombre,"
Greatest Hits is a likable demonstration of this type of Latin pop/Mexican/cumbia fusion. Pure cumbia? No. Pure Mexican music? No. Latin pop that can use both with pleasant results? Most certainly. ~ Alex Henderson, All Music Guide