With 2007's
Because of the Times,
Kings of Leon ventured out of the garage and into the arena. Tracks like "Black Thumbnail" and "Camaro" were bold anthemic rock songs that built upon the barnyard stomp of
Youth & Young Manhood, and
Because of the Times topped the U.K. charts upon its debut, officially crowning
the Kings as rock & roll royalty in the process.
Only by the Night arrives one year later, marking the band's fastest turnaround between albums; it also furthers the epic sound that
Times introduced, flaunting a set of ringing guitars and radio-ready melodies that push the band away from
the Allman Brothers' camp. If anything, much of this album takes up residence in
U2's cathedral, particularly during the one-two-three punch of "Sex on Fire," "Use Somebody," and "Manhattan."
Caleb Followill doesn't adopt
Bono's political agenda, but the same sort of uplift exists throughout the record, which -- during its best moments -- rivals
Aha Shake Heartbreak as the band's best work to date.
Like many big-sounding albums,
Only by the Night is a polarizing piece of work, one that targets new fans at the expense of those who wish
Kings of Leon had never shaved their beards or discovered post-'70s rock. To rope in the skeptics, the strongest tracks are pushed toward the album's first half. "Crawl" flexes the band's rock & roll muscle, melding
Led Zeppelin-styled crunch with the experimental guitar buzz of
U2's
Achtung Baby, while "Sex on Fire" makes up for its goofy title with a meteoric chorus tailored to
Caleb's voice. (He sounds fantastic throughout the record, even if his vocals continue to be garbled by some untraceable accent, as if he's auditioning for the
Jodie Foster role in a Broadway adaptation of Nell.) Rounding out the hit-filled segment are "Use Somebody" and "Manhattan," where
Matthew Followill cloaks his guitar riffs in reverb and bassist
Jared Followill takes the spotlight sporadically, popping up for quick melodic fills before ducking back into the mix. While past
Kings of Leon albums concerned themselves with alcohol, women, and other hedonistic themes, those two songs are nothing but pop/rock grandeur, and
Caleb howls their hopeful lyrics like
Bono's American-born cousin.
Only by the Night focuses on textures and experimentation during the album's latter half, but most songs still deliver some sort of Technicolor melody, from "Notion" (one of the only tracks featuring piano) to the unexpected chorus of "Be Somebody." Taken as a whole,
Only by the Night targets the audience that approved
Kings of Leon's sonic shift in 2007, leaving older fans free to damn these tracks for their consciously grand approach. Yes, the album is indebted to
U2. Yes, it briefly veers close to the same territory occupied by
Meat Loaf and
Journey, if only in the passion of
Caleb's voice. But
Only by the Night is still a potent
Kings of Leon record, and the guys have never defined their ambition so clearly before. ~ Andrew Leahey, All Music Guide
