Jon Anderson's voice immersed in South American music might seem an unlikely match, but the rich and vibrant tones of
Deseo provide a strikingly fresh setting for the singer. Augmented by well-known artists from across South and Latin America, the
Yes vocalist seems content to recede into the background on many of the tracks, retaining a native flavor with stellar cameos from
Maria Conchita Alonso,
Boca Livre,
Milton Nascimento, and many others. The songs, which generally clock in around three-and-a-half minutes, are warm and upbeat, mixing English, Portuguese, and Spanish vocals with propulsive percussion, acoustic guitars, bass, and synthesizers. The melodies are lovely and atmospheric, uncomplicated but evocative. The best tracks don't necessarily feature
Anderson in a starring role: "A-DE-O," "Bridges," "Danca Do Ouro," and "Café" feature the vocalist in a supporting role, but listeners may find themselves too entranced by the beautiful harmonies to notice his absence. While the singer does take center stage on a number of songs with pleasant results -- "This Child," "Floresta," and especially "Bless This" (with
Deborah Anderson) -- a few tracks leave
Anderson exposed, notably the lightweight "Latino" and the ill-advised posturing of the opening "Amor Real." However, these occasional missteps are easily overlooked in lieu of the disc's innumerable charms. The artist had experimented with world sounds on earlier albums with his
Yes mates -- "Teakbois" from Anderson Bruford Wakeman Howe and "Angkor Wat" from Union come to mind -- but
Deseo marks a genuine willingness to step outside of his own idiom. Thus, the connection between
Jon Anderson and the music on
Deseo isn't always clear, but the singer wisely shares his sense of discovery with the listener, allowing the music (and not the musician) to shine. ~ Dave Connolly, All Music Guide