If the Los Angeles punk scene produced a better or more passionate singer than
John Doe, it would be nice to know who it is, but while he knew how to belt it out over the gale-force blast of
X, in his work with
the Knitters (and on
X's late-period acoustic album
Unclogged),
Doe proved he also knew how to communicate just as well in a quieter and more intimate setting.
Dim Stars, Bright Sky,
Doe's fourth solo album, is being billed as his first acoustic solo LP, but that bends the boundaries of truth in advertising just a bit; while several of the songs are built around low-key non-amplified arrangements (most notably "Seven Holes," "Faraway (From the North Country)," and "Always), most of the album's tunes feature electronic keyboards, drum loops, electric guitars, or some combination thereof. Not that that's bad; the blend of the acoustic rhythm guitar and fuzzy leads on "This Far" (not to mention the old-school electric piano sound) makes the most of a solid song, and the splashing drums and Rickenbacker leads on "Backroom" give the tune a
Byrds-ian undertow that's superb. However, if you were hoping for "
John Doe Unplugged," that's not quite what you get. Also, while the cover promises duets with a number of notables, including
Aimee Mann,
Jakob Dylan,
Jane Wiedlin, and
Rhett Miller, most of
Doe's co-vocalists are little more than glorified backup singers, lending fine harmonies but little personality of their own (faring best are
Mann, whose sweet-and-sour harmony on "This Far" suggests a smoother version of
Doe's vocal byplay with
Exene Cervenka, and
Juliana Hatfield, who proves to be a superb accompanist on her two tracks).
Dim Stars, Bright Sky isn't the "just
John with his guitar" album one might be expecting (and hoping for), but with
John Doe writing great songs and singing them very well with a top-notch band, only a fool would complain. It's a great album from a great artist, but hopefully he'll take another stab at a
real acoustic album one of these days. ~ Mark Deming, All Music Guide