joe satriani / albums

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266 SHARES
1,220 FAVS
272 fans

- Flying In A Blue Dream
- - 187,027 plays
  - 47 favs
  - 14 shares
Joe Satriani
Released 1989

Can't Slow Down
04:46
9,408 plays

Ride
04:58
8,988 plays

The Forgotten (Part Two)
05:10
8,963 plays

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songs

- 1
- Flying In A Blue Dream
- 05:23
- 23,935 plays

- 2
- The Mystical Potato Head Groove Thing
- 05:09
- 12,746 plays

- 3
- Can't Slow Down
- 04:46
- 9,408 plays

- 4
- Headless
- 01:30
- 7,692 plays

- 5
- Strange
- 05:02
- 7,878 plays

- 6
- I Believe
- 05:51
- 15,261 plays

- 7
- One Big Rush
- 03:26
- 11,642 plays

- 8
- Big Bad Moon
- 05:15
- 12,473 plays

- 9
- The Feeling
- 00:50
- 7,368 plays

- 10
- The Phone Call
- 03:00
- 7,834 plays

- 11
- Day At The Beach (New Rays From An Ancient Sun)
- 02:03
- 11,500 plays

- 12
- Back To Shalla-Bal
- 03:15
- 11,161 plays

- 13
- Ride
- 04:58
- 8,988 plays

- 14
- The Forgotten (Part One)
- 01:12
- 8,357 plays

- 15
- The Forgotten (Part Two)
- 05:10
- 8,963 plays

- 16
- The Bells Of Lal (Part One)
- 01:19
- 7,211 plays

- 17
- The Bells Of Lal (Part Two)
- 04:08
- 7,608 plays

- 18
- Into The Light
- 02:29
- 7,002 plays

- play all

album review

An hour-long disc filled with musical explorations and compositions that defy belief, Flying in a Blue Dream is unquestionably Joe Satriani at his absolute best. Breaking his all-instrumental tradition for the first time, he croons on six of the disc's 18 tracks, including the weird "Strange"; and the bluesy, hard-rocking "Big Bad Moon"; and the driving "Can't Slow Down." Satriani's voice isn't extraordinary, but it fits extremely well with the music he creates, especially on the acoustic-tinged, uplifting "I Believe." It's his playing that's the really impressive thing here, though; his unique tone and complex song structures are enhanced by his signature playing style and the incredible array of effects and tricks he wrestles out of his instrument. The disc closes with the high-flying, misty piece "Into the Light," leaving behind a feeling of real wonder. Soaring, powerful, and triumphant, this recording deserves a place in everyone's collection. ~ Phil Carter, All Music Guide