Some of
Hubert Laws' more commercial recordings left much to be desired, but at his best, he's been a highly imaginative soloist who can play jazz, classical and R&B equally well. A fine overview of his CTI efforts of the early to-mid-'70s,
The Best of Hubert Laws is an eclectic and unpredictable CD that finds him offering adventurous interpretations of everything from
John Coltrane's "Moment's Notice" to classical pieces by
Stravinsky ("The Rite of Spring") and
Bach ("Allegro from Concerto #3 in D"). While an NAC/smooth jazz artist would play a mindless, note-for-note cover of
Maria Muldaur's "Midnight at the Oasis," the flutist insightfully transforms the 1974 pop hit into gritty jazz-funk. Electric keyboardist
Bob James performs some excellent solos, which expose and underscore the vacuous and shallow nature of his subsequent work. ~ Alex Henderson, All Music Guide