After deconstructing the classic American Western by way of The Good, the Bad & the Ugly and A Fistful of Dollars, director
Sergio Leone distilled his intentions with 1968's Once Upon a Time in the West, arguably a milestone for both
Leone and his musical cohort,
Ennio Morricone. For his part,
Morricone framed
Leone's meditative camera work and mythic narrative with a mix of hauntingly spacious pieces and reconfigured snatches of old-timey tunes. Just within the stretch of the first four pieces here,
Morricone evokes the endless expanse of the West with a
Copland-esque aria (the main title theme), weaves some twisted grit into the showdown theme with loads of guitar fuzz ("As a Judgment"), ingeniously combines whistling and a clippity-clop rhythm for a respite piece ("Farewell to Cheyenne"), and conjures the surreal end of the cowboy mythos via a wonderfully disjointed serial-style number ("The Transgression"). And whether sounding upbeat or stark,
Morricone informs it all with the dry and windswept vacancy of the West. Beautiful and stunning. ~ Stephen Cook, All Music Guide