delaney & bonnie / albums

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On Tour With Eric Clapton,Delaney & Bonnie

- On Tour With Eric Clapton
- - 6,054 plays
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Delaney & Bonnie
Released 1970

Things Get Better
04:18
826 plays

Por Elijah/Tribute To Johnson Medley: Poor Elijah/Tribute
05:10
799 plays

I Don't Want To Discuss It
05:35
750 plays

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songs

- 1
- Things Get Better
- 04:18
- 826 plays

- 2
- Por Elijah/Tribute To Johnson Medley: Poor Elijah/Tribute
- 05:10
- 799 plays

- 3
- Only You Know And I Know
- 04:42
- 1,196 plays

- 4
- I Don't Want To Discuss It
- 05:35
- 750 plays

- 5
- That's What My Man Is For
- 04:37
- 616 plays

- 6
- Where There's A Will, There's A Way
- 05:20
- 586 plays

- 7
- Coming Home
- 06:52
- 702 plays

- 8
- Little Richard Medley: Tutti-Frutti/The Girl Can't Help It/Long Tall Sall/Jenny Jenny
- 05:57
- 579 plays

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album review

This 42-minute, eight-song live album, cut at Croydon late in 1969, is not only the peak of Delaney & Bonnie's output, but also the nexus in the recording and performing careers of Eric Clapton and George Harrison. On Tour With Eric Clapton features the guitarist performing the same blend of country, blues, and gospel that would characterize his own early solo ventures in 1970. He rises to the occasion with dazzling displays of virtuosity throughout, highlighted by a dizzying solo on "I Don't Want to Discuss," a long, languid part on "Only You Know and I Know," and searing, soulful lead on the beautifully harmonized "Coming Home." Vocally, Delaney & Bonnie were never better than they come off on this live set, and the 11-piece band sounds tighter musically than a lot of quartets that were working at the time, whether they're playing extended blues or ripping through a medley of Little Richard songs. It's no accident that the band featured here would become Clapton's own studio outfit for his debut solo LP, or that the core of this group -- Bobby Whitlock, Carl Radle, and Jim Gordon -- would transform itself into Derek & the Dominoes as well; or that most of the full band here would also comprise the group that played with George Harrison on All Things Must Pass and at the Concert for Bangladesh, except that the playing here (not to mention the recording) is better. Half the musicians on this record achieved near-superstar status less than a year later, and although the reasons behind their fame didn't last, listening to their work decades later, it all seems justified. One only wishes that Atlantic Records might check their vaults for any unreleased numbers from these shows that could fit on an extended CD. ~ Bruce Eder, All Music Guide