Already well established in the reggaeton underground, with roughly a decade of street-level experience under his belt,
Daddy Yankee broke into the Latin mainstream big-time with
Barrio Fino. The first reggaeton album to reach number one on the Billboard Top Latin Albums chart -- debuting there in July 2004 to the shock of many, since it was released by VI Music, a Puerto Rican indie --
Barrio Fino covers all the bases over the course of 21 tracks, from all-star collaborations ("No Me Dejes Solo," with
Wisin & Yandel; "Tu Principe,"
Zion & Lennox; "Sabor a Melao,"
Andy Montañez) to English-language crossover ("Like You") to empowering political rap ("Corazones").
Daddy Yankee works chiefly with two production teams --
Luny Tunes and the trio of
Monserrate,
Fido, and
DJ Urba -- though there are also contributions from
Eliel,
DJ Nelson,
Echo & Diesel, and
Nely. The
Luny Tunes collaborations pay the most dividends, with "Gasolina" and "Lo Que Pasó, Pasó" standing tall as album highlights. Other highlights include "Dale Caliente," "No Me Dejes Solo," "Tu Principe," and "Que Vas a Hacer?" Actually, the first half of
Barrio Fino is remarkably solid. Only toward the final quarter of the album sequence do the songs begin to grow tiresome. This is partly because
Barrio Fino is so long -- had a half-dozen songs been trimmed, it would be a nonstop highlight reel.
Daddy Yankee deserves a lot of credit for the success of
Barrio Fino, for his charisma, energy level, and command of the proceedings are well evident and often infectious. But also credit the producers -- especially
Luny Tunes, who turned this album into a showcase of their hitmaking prowess -- and
Glory, who sings several of the best hooks and serves as
Daddy's sultry female counterpoint. Everyone plays his or her role on
Barrio Fino, which, along with
Don Omar's
The Last Don (2003), is a milestone reggaeton release for its time. ~ Jason Birchmeier, All Music Guide