carter burwell / albums

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- In Bruges
- - 11,197 plays
  - 2 favs
  - 0 shares
Carter Burwell
Released 2008

Medieval Waters
01:39
908 plays

The Little Dead Boy
01:46
692 plays

I Didn't Want to Die
01:35
659 plays

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songs

- 1
- Prologue
- 01:16
- 1,292 plays

- 2
- Medieval Waters
- 01:39
- 908 plays

- 3
- The Little Dead Boy
- 01:46
- 692 plays

- 5
- The Last Judgement
- 01:51
- 523 plays

- 6
- View from the Tower
- 01:03
- 557 plays

- 7
- My Suicide Your Homicide
- 01:38
- 515 plays

- 9
- Save the Next Boy
- 01:19
- 494 plays

- 10
- Ray at the Mirror
- 01:19
- 516 plays

- 11
- Walking Bruges
- 00:36
- 641 plays

- 12
- The Magic Frog
- 00:49
- 466 plays

- 13
- Der Leiermann (Winterreise, D. 911)
- 03:40
- 154 plays

- 14
- Harry Walks
- 01:21
- 486 plays

- 15
- Dressing for Death
- 01:11
- 466 plays

- 16
- The Kiss Walk Past
- 01:04
- 457 plays

- 18
- Thugs Passing in the Night
- 01:12
- 584 plays

- 19
- Shootout, Pt. 1
- 02:10
- 322 plays

- 20
- When He's Dead
- 01:08
- 502 plays

- 21
- Shootout, Pt. 2
- 02:43
- 274 plays

- 22
- Principles
- 01:24
- 477 plays

- 23
- I Didn't Want to Die
- 01:35
- 659 plays

- 24
- 2000 Miles
- 03:38
- 212 plays

album review

Director Martin McDonagh's In Bruges fits into the subgenre of British action/crime movies with comic elements pioneered by Guy Ritchie (e.g., Lock, Stock and Two Smoking Barrels, Snatch). This time, two hitmen, played by Colin Farrell and Brendan Gleeson, hide out in the historic Belgian city of the title waiting for their boss, played by Ralph Fiennes, with violent and humorous results. Composer Carter Burwell contrasts the plot with his minor-key, piano-based score played by a chamber orchestra of only a dozen or so pieces. For the most part, this is delicate, contemplative music, occasionally augmented by a folk or Celtic song. Burwell abruptly turns to rock with the electric guitar and pounding drums of cues appropriately called "Shootout, Pt. 1" and "Shootout, Pt. 2," but those are exceptions in a lovely, imaginative score that gives greater complexity to the mood of the film. ~ William Ruhlmann, All Music Guide