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brad paisley / albums

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Play,Brad Paisley
    • Play
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    • Waitin' On A Woman (With Andy Griffith)
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    • Cluster Pluck (Feat. James Burton, Vince Gill, Albert Lee, John Jorgenson, Brent Mason, Redd Volkaert & Steve Wariner)
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    • Let The Good Times Roll (Feat. B.B. King)

songs

  • Song order /frag/AlbumSongListBlock/?SortBy=title&AlbumId=73341e01-0100-11db-89ca-0019b92a3933&blockName=AlbumSongListBlock&id=_albumSongs&PageIndex=&EndMarker=&StartMarker=&
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    • Huckleberry Jam
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    • Turf's Up
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    • Start A Band (Duet With Keith Urban)
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    • Kim
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    • Departure
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    • Come On In (Feat. Buck Owens)
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    • Kentucky Jelly
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    • Playing With Fire
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    • More Than Just This Song (Feat. Steve Wariner)
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    • Les Is More
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    • Pre-Cluster Cluster Pluck Prequel
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    • Cluster Pluck (Feat. James Burton, Vince Gill, Albert Lee, John Jorgenson, Brent Mason, Redd Volkaert & Steve Wariner)
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    • Cliffs Of Rock City
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    • Let The Good Times Roll (Feat. B.B. King)
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    • What A Friend We Have In Jesus
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    • Waitin' On A Woman (With Andy Griffith)

album review

Brad Paisley never made his love of classic '60s country a secret, often inviting his idols into the studio to record cornpone skits straight out of Hee Haw. Paisley is so steeped in the '60s that it's easy to ignore that he was born much, much later, growing up in the heyday of shred guitarists in the late '80s. These two seemingly opposed sides surface on Play, a predominantly instrumental album where the spotlight shines so brightly on the six-string that even the cuts with vocals are either about or are showcases for the guitar. Some of this falls well within the bounds of the expected chicken-picking, with Paisley paying such loving, explicit tribute to Don Rich that he quotes the "Buckaroo" theme on the opening cadence of his duet with the late Buck Owens, "Come on In." Paisley's picking on the hypercharged "Huckleberry Jam" and "Cluster Pluck" is a pleasure, but it's also nice to hear him stretch out and play some deep blues on "Kentucky Jelly," trade licks with B.B. King on "Let the Good Times Roll," cop some swinging jazz from Les Paul on the aptly titled "Les Is More," and roll on the breakers on "Turf's Up" (there may not be any novelty songs here, but Paisley sure makes up for that with his punning song titles). As good as these are, it all falls within the realm of the expected; what surprises on Play is how the '80s shred gods surface -- how Paisley's love letter to his wife, "Kim," sounds like how Joe Satriani slowed things down (and Satch surfaces again on the slow-rolling "Departure"), or how he answers Eric Johnson's "Cliffs of Dover" with "Cliffs of Rock City." These ventures into pure '80s shred go a long way to illustrating just how versatile a guitarist Brad Paisley is, and they wind up as accidental autobiography, revealing a side he's previously camouflaged -- but now that it's surfaced, it's easy to see why his albums are always among the most adventurous and best country music of this decade. ~ Stephen Thomas Erlewine, All Music Guide

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listener reviews

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      • What to expect

      • When getting this album, realize it is mostly songs with no vocals.  Songs with vocals are hard to come by and are mainly just duets with Brad and another artist.

         the best (most radio friendly) of the songs and is the first single released for this album. 

         third remake of the song, with Andy Griffith spliced in.  This comes off as hokey to me. 

        The other 3 vocal songs are decent teaming, BP with iconic artists. 

        The guitar songs are a mixed bag, my favorites:

        
        

        However,
         sounds like something that would be playing at a department store.

        Brad has dubbed this his artistic album.  If you do not enjoy the guitar songs of previous albums you will not enjoy this album.
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