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Reunion (Parental Advisory),Black Sabbath

- Reunion (Parental Advisory)
- - 219,706 plays
  - 606 favs
  - 236 shares
Black Sabbath
Released 1998

Sabbath Bloody Sabbath
04:36
8,817 plays

Children Of The Grave
06:30
8,808 plays

Electric Funeral
05:02
8,639 plays

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songs

- 1
- War Pigs
- 08:28
- 26,214 plays

- 2
- Behind The Wall Of Sleep
- 04:07
- 8,164 plays

- 3
- N.I.B.
- 06:45
- 13,212 plays

- 4
- Fairies Wear Boots
- 06:19
- 5,613 plays

- 5
- Electric Funeral
- 05:02
- 8,639 plays

- 6
- Sweet Leaf
- 05:01
- 11,002 plays

- 7
- Spiral Architect
- 05:40
- 3,645 plays

- 8
- Into The Void
- 06:32
- 7,567 plays

- 9
- Snowblind
- 06:08
- 7,909 plays

- 10
- Sabbath Bloody Sabbath
- 04:36
- 8,817 plays

- 11
- Orchid/Lord Of This World
- 07:07
- 7,476 plays

- 12
- Dirty Women
- 06:29
- 6,365 plays

- 13
- Black Sabbath
- 07:29
- 10,045 plays

- 14
- Iron Man
- 08:21
- 32,988 plays

- 15
- Children Of The Grave
- 06:30
- 8,808 plays

- 16
- Paranoid
- 04:28
- 39,635 plays

- 17
- Psycho Man
- 05:18
- 7,345 plays

- 18
- Selling My Soul
- 03:10
- 6,264 plays

album review

Though it was conceived as a mere cash-in for the long-awaited return of the original Black Sabbath, 1998's Reunion is as close to an official live album as the band has had in their historic 30-year career. 1980's Live at Last was released without their permission, and 1982's Live Evil featured then-singer Ronnie James Dio. With this in mind, the band must be commended on the excellent quality of the recordings, which include their most enduring classics ("War Pigs," "Paranoid," "Iron Man"), as well as a few surprises ("Dirty Women," "Behind the Wall of Sleep"), and were culled from a series of concerts in their native Birmingham in December 1997. The real key to this album, however, is the band's ability to avoid the most common pitfall of live recordings: speeding up the songs. This patience is crucial, since such Sabbath staples as "Sweet Leaf," "Black Sabbath," and "Snowblind" owe much of their unique personality and somber atmospherics to the band's trademark "snail's pace." "Children of the Grave" proves itself once again as one of the band's most dependable live favorites, and the massive riffs of "Into the Void" are simply timeless. The two brand new studio tracks are another treat for longtime fans, and while "Selling My Soul" is rather mundane, "Psycho Man" is absolutely incredible thanks to its slow intro and raging final riff. ~ Eduardo Rivadavia, All Music Guide