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Odelay,Beck

songs

  • Song order /frag/AlbumSongListBlock/?AlbumId=178f1e00-0100-11db-89ca-0019b92a3933&SortBy=title&blockName=AlbumSongListBlock&id=_albumSongs&PageIndex=&EndMarker=&StartMarker=&
  • Play count /frag/AlbumSongListBlock/?AlbumId=178f1e00-0100-11db-89ca-0019b92a3933&SortBy=playCount&blockName=AlbumSongListBlock&id=_albumSongs&PageIndex=&EndMarker=&StartMarker=&
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    • Devils Haircut
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    • Hotwax
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    • Lord Only Knows
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    • The New Pollution
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    • Derelict
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    • Novacane
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    • Jack-Ass
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    • Intro To Where It's At
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    • Where It's At
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    • Minus
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    • Sissyneck
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    • Readymade
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    • High 5 (Rock The Catskills)
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    • Ramshackle (E-Album Version)
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    • Computer Rock (E-Album Version)

album review

Unlike Stereopathetic Soul Manure and One Foot in the Grave, the indie albums that followed his debut Mellow Gold by a mere matter of months, Odelay was a full-fledged, full-bodied album, released on a major label in the summer of 1996 and bearing an intricate, meticulous production by the Dust Brothers in their first gig since the Beastie Boys' Paul's Boutique. Odelay shared a similar collage structure to that 1989 masterpiece, relying on a blend of found sounds and samples, but instead of lending the album its primary colors, the Dust Brothers provided the accents, highlighting Beck's ever-changing sounds, tying together his stylistic shifts, making the leaps from the dirge-blues of "Jack-Ass" to the hazy party rock of "Where's It's At" seem not so great. Like Mellow Gold, Odelay winds up touching on a number of disparate strands -- folk and country, grungy garage rock, stiff-boned electro, louche exotica, old-school rap, touches of noise rock -- but there's no break-neck snap between sensibilities, everything flows smoothly, the dense sounds suggesting that the songs are a bit more complicated than they actually are. Most of the songs here betray Beck's roots as an anti-folk singer -- he reworks blues structures ("Devil's Haircut"), country ("Lord Only Knows," "Sissyneck"), soul ("Hotwax"), folk ("Ramshackle") and rap ("High 5 [Rock the Catskills]," "Where It's At") -- but each track twists conventions, either in their construction or presentation, giving this a vibrant, electric pulse, surprising in its form and attack. Like a mosaic, all the details add up to a picture greater than its parts, so while some of Beck's best songs are here, Odelay is best appreciated as a recorded whole, with each layered sample enhancing the allusion that came before. ~ Stephen Thomas Erlewine, All Music Guide

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